I'd been hearing a decent amount of hype about L.A.'s Holy Grail and was curious to hear them for the first time. I believe 4 of the 5 members were originally in White Wizzard who is a fairly enjoyable retro-metal band and they are also signed to Prosthetic Records who have been on a bit of a hot streak with new signings the past few years, so those two things right there were enough to have my interest piqued. The guys definitely had some chops and were completely competent players, but did absolutely nothing for me. If I'm going to listen to this kind of music, then why not simply bust out my Judas Priest, Iron Maiden and Accept records and enjoy the originals? Definitely not for me.
Eluveitie
Next was Eluveitie (whose name I'm still not exactly clear on how exactly to pronounce). I had never even heard of this band before seeing the announcement for this tour, so was obviously completely unfamiliar with them. My friend I went to the show with is a huge fan of theirs and swore up and down that I would love it. Turns out he wasn't misleading me because I was blown away. His description of them as "In Flames with pan flutes" was pretty accurate, but I would prefer to describe them as In Flames meets the Braveheart and Willow soundtracks. Swedish death metal (although they are from Switzerland and not Sweden) mixed with pagan folk music instruments like flutes, violins and even the hurdy gurdy. With nine members on stage there was a lot going on, but it all translated well. And there are women in the band which is always great to see in the testosterone heavy world of metal. They released a new album earlier this year called Everything Remains (As It Never Was)Amon Amarth
Headlining that evening was the mighty Amon Amarth. I've loved the band since I was turned onto their 2006 release With Oden On Our SideI look forward to catching both Amon Amarth and Eluveitie again in the future.
Amon Amarth "Cry Of The Black Birds"
Amon Amarth "Death In Fire"
Eluveitie "Inis Mona"
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